It also expressed, even for older Chinese, a dissatisfaction with unrealized promises of the Chinese regime. It soon came to symbolise the frustration harboured by a disillusioned generation of young intellectuals who grew cynical about Communism and critical of China's traditional and contemporary culture. The song introduced into post-revolutionary China a whole new ethos that combined individualism, direct and bold expression. The first Chinese rock song was arguably the Northwest Wind anthem " Nothing To My Name", first performed in 1984 by Cui Jian, widely recognised as the father of Chinese rock. In late 1989 and early 1990 Chinese rock partially emerged into mainstream music as a combination of the Northwest Wind and prison song fads. The music was almost exclusively for the domain of university students and "underground" bohemian circles. It was marginal for most of the 1980s, consisting of live performances in small bars and hotels. As the nation's capital, the music was highly politicised and open to a range of foreign influences. The birthplace of Chinese rock was in Beijing. Songs such as "Sister Go Boldly Forward" ( 《妹妹你大胆的往前走》) came to represent an earthy, primordial masculine image of Mainland China, as opposed to the soft, sweet, polished urban gangtai style.īirth of Chinese rock and roll (1984) Both music and lyrics articulated a sense of pride in the power of the northwest's peasantry. The music reflected dissatisfaction among Chinese youth, as well as the influence of western ideas such as individuality and self-empowerment. It is, however, associated with the non-Communist national music side instead of the revolutionary side. Many Northwest Wind songs were highly idealistic and heavily political, parodying or alluding to the revolutionary songs of the Communist state, such as " Nanniwan" and " The Internationale". Cui Jian's Northwest Wind album Rock 'N' Roll on the New Long March, which included "Nothing To My Name", has been called "China's first rock album". It represented the musical branch of the large-scale Root-Seeking ( 寻根, xungen) cultural movement that also manifested itself in literature and in film. In contrast to the mellow cantopop style, Northwest Wind songs were sung loudly and forcefully. They combined this with a western-style fast tempo, strong beat and extremely aggressive bass lines. The new style was triggered by two new songs, "Xintianyou" ( 《信天游》) and " Nothing To My Name" ( 《一无所有》), both of which drew heavily on the folk song traditions of northern Shaanxi. Ĭhinese rock had its origins in Northwest Wind style of music, which emerged as a main genre in Mainland China. While the first rock band in China, they were not Chinese. The Peking All-Stars were a rock band formed in Beijing in 1979, by foreigners then resident in the Chinese capital. Rock music did not take hold in Mainland China until the end of the Cultural Revolution and the onset of the Reform and Opening. 6.1 Radio stations playing Chinese rock.1.7 The Beijing Midi Modern School of Music and Music Festival.1.5 Rock goes underground, earns newfound respect (1994/1997).1.2 Birth of Chinese rock and roll (1984).
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